成都半山餐吧 一家时髦创意川菜馆装修设计分析

2005年的成都第一别墅楼盘锦绣花园，没有人不知道“半山餐吧”。那时候追求时髦的成都年轻人，都乐意去“半山餐吧”体验中餐西吃——西式的餐具及环境承载着地道川菜。沸腾桂鱼、咸烧白、麻婆豆腐，一道道招牌菜随着时光流转至今。老店新装，选址于城南生活方式集中地UPARK公园。今天就跟随郑州餐厅装修公司宏钰堂装饰小编一起来欣赏这家时髦创意川菜馆装修设计案例！

In 2005, the first villa in Chengdu was a beautiful garden. No one didn't know "Banshan restaurant". At that time, young people in Chengdu, who were in pursuit of fashion, were willing to go to the "half mountain restaurant" to experience western Chinese food - Western tableware and environment carrying authentic Sichuan food. Boiling mandarin fish, salted white, Mapo Tofu, a signature dish with the flow of time to this day. The old shop is newly installed, and is located in upark Park, the city's South lifestyle center. Today, I will follow the decoration company of Zhengzhou restaurant hongyutang to enjoy the decoration design case of this fashionable and creative Sichuan restaurant!

餐厅大面积明亮色彩的运用，似矿物颜料，赭石、孔雀石、蓝铜矿，一层层上色，晕染出这细致入微的画面。艺术玻璃在灯光下变幻多姿，似贝壳似江河波纹，兼具山河特性，锦绣炫目。更与石料桌面形成呼应，加上设色鲜亮的座椅，整个空间奢华瑰丽，自成一派。 

The use of bright colors in a large area of the restaurant, like mineral pigments, ochre, malachite, and bluecopper, is colored layer by layer, which gives a detailed picture. Under the light, the artistic glass changes in many ways, like a shell like a river ripple, with the characteristics of mountains and rivers, and is gorgeous. More with the stone desktop form echo, plus the color of bright seats, the whole space luxury magnificent, from a school.

据文献记载，大理石最早采掘于汉武帝时期，因深藏于大理苍山之中，故名大理石。唐朝以后历代王朝宫廷皆存有大理石画，“苍山嵯峨十九峰，暮霭朝岚如白虹“。包间窗帘与墙壁皆着孔雀蓝，底部镶嵌明黄，透露出轩昂皇家气派。吊灯不落俗套，特制金属灯罩，使灯光柔和婉丽，如花瓣飘舞空中。大面积的落地窗，展露出室内外景观互动的珍稀性，在设计语言中，也增加了“虚实对比”这一重要表现形式。

According to the literature, marble was first excavated in the period of Emperor Wu of Han Dynasty. Because it was hidden in the Cangshan Mountain of Dali, it was named marble. After the Tang Dynasty, there were marble paintings in the court of successive dynasties, "Cang mountain has 19 steep peaks, and the haze in the evening is like a white rainbow". The curtain and wall of the private room are all peacock blue, and the bottom is inlaid with bright yellow, revealing the royal style of Xuanang. The chandelier is unconventional, with special metal lampshade, which makes the light soft and graceful, like petals fluttering in the air. A large area of French windows reveals the rarity of interaction between indoor and outdoor landscape. In the design language, the important form of "virtual and real contrast" is also added.