郑州装修公司推荐中情西韵得云茶楼装修设计案例

2020-07-03 宏钰堂装饰

得云茶楼毗邻大慈寺,此寺得唐玄宗赐名又几经兴废而盘桓至今,为清末复建,而不复当年大唐之风格。但遥想当年也必是“廊腰缦回,檐牙高啄”之大气磅礴。古为今用,西风东渐。茶楼室内装饰之中西合璧,一片和合之妙。今天郑州装修公司宏钰堂装饰小编为您带来的正是中情西韵得云茶楼装修设计案例!

Deyun teahouse is adjacent to Daci Temple, which was named by Emperor Xuanzong of Tang Dynasty. It has been rebuilt in the late Qing Dynasty, but not in the style of the Tang Dynasty. However, it must have been the majestic style of "corridor waist man back, eaves teeth high peck". The past serves the present, and the west is spreading eastward. The interior decoration of the teahouse is a combination of Chinese and Western culture, which is a wonderful combination of harmony. Today, Zhengzhou decoration company hongyutang decoration small edition brings you the decoration design case of Zhongqing xiyundeyun tea house!

郑州装修公司推荐中情西韵得云茶楼装修设计案例

郑州装修公司推荐中情西韵得云茶楼装修设计案例

郑州装修公司推荐中情西韵得云茶楼装修设计案例

餐厅内以中轴对称布局,穿斗成梁,取自于川西大宅楼牌上的山花造型,整体线条优美但极具力量感,曲线顺势而下形成卡座私密之所。 

The dining room is arranged symmetrically along the central axis. It is made from the mountain flowers on the building board of the West Sichuan mansion. The whole line is beautiful, but it has a strong sense of strength. The curve goes down with the trend and forms a private place for the card seat.

郑州装修公司推荐中情西韵得云茶楼装修设计方案

郑州装修公司推荐中情西韵得云茶楼装修设计方案

郑州装修公司推荐中情西韵得云茶楼装修设计方案

门外跑马廊处6根青花瓷柱由中国艺术家于景德镇烧制,拉胚、绘制、上釉到最后烧制成型历时大半年,通体高3米直径60公分,成品率极低,其上绘有青龙盘云而出,若影若现。

The six blue and white porcelain pillars at the Paoma corridor outside the gate were fired by Chinese artists in Jingdezhen. They took more than half a year to form. The overall height was 3 meters and the diameter was 60 centimeters. The finished product rate was extremely low. The blue and white porcelain columns were painted with green dragon plates and clouds, which were like shadows. 

郑州装修公司推荐中情西韵得云茶楼装修设计实景图

郑州装修公司推荐中情西韵得云茶楼装修设计实景图

郑州装修公司推荐中情西韵得云茶楼装修设计实景图

茶楼窗格装饰灵感源自故宫倦勤斋,震撼于其竹编“翻簧“工艺,设计师结合现代激光雕刻玻璃与单层镜面膜,重构倦勤斋竹编双层月洞门之效果。地面则以天然青金石调色的水磨石内嵌黄铜祥云图案,向高超珐琅工艺致敬。

The inspiration for the window pane decoration of the teahouse is from the tired Qin Zhai of the Imperial Palace, which shocked its bamboo weaving "reed spring" craft, and the designer combined modern laser carving glass and single layer mirror mask, reconstructing the effect of the double floor moon gate of the tired Qin Zhai bamboo plait. The ground is decorated with natural Lapis tone terrazzo inlaid with bronze auspicious cloud pattern, which pays homage to the superb enamel technology.



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