郑州中餐厅装修公司推荐福顺斋中餐厅装修设计方案

禅宗文化里，入门是悟道之始，有庄重的仪式。斋菜馆门厅，引六祖慧能典故，无根菩提树、铜制明镜台造景，以清简、质朴、克制、自然，传递“应无所往而生其心”的大悟。佛法讲究“广度众生”，一层餐饮空间也围绕此主题展开。法相庄严达摩祖师坐禅雕塑，天花虚实结合菩提叶，轻便竹藤工艺吊灯，象征“凝聚智慧光华”菩提果，设计打造一个返璞归真精神道场，以此开启美学升华。今天郑州餐厅装修公司为您推荐的是福顺斋中餐厅装修设计方案！

In Zen culture, introduction is the beginning of enlightenment, and there are solemn rituals. In the hall of the restaurant, the allusions of Huineng, the sixth patriarch, are quoted. The scenery is made of rootless bodhi trees and bronze mirror platform. With the simplicity, simplicity, restraint and nature, the hall conveys the great understanding that "the heart should be born from nothing". Buddhism pays attention to the "breadth of all beings", and the dining space on the first floor is also launched around this theme. Dharma Bodhisattva is a solemn Buddhist meditation sculpture. The ceiling is combined with Bodhi leaves and light bamboo and rattan craft chandeliers, symbolizing the Bodhi fruit of "gathering wisdom and brilliance". It is designed to create a spiritual Taoist field of returning to nature, so as to open up the aesthetic sublimation. Today, Zhengzhou restaurant decoration company recommends the decoration design of Fushun Zhai Chinese restaurant!

二层餐饮空间，延续“行亦禅、坐亦禅”的设计主旨。9个包间，以 9 句铜制禅宗传世经文做墙面装饰，餐桌上方灯具，选用水晶球材质射灯款式，取佛教中代表僧团和平共处的六和敬之数，6 盏灯组成圆环光源，满足照明又兼顾艺术观赏性。

The dining space on the second floor continues the design theme of "walking and sitting". Nine private rooms are decorated with nine lines of bronze Zen scriptures. The lamps above the dining table are made of crystal ball material. The number of six respects representing the peaceful coexistence of monks in Buddhism is taken as the number. Six lamps form a circular light source to meet the lighting and artistic appreciation.

3层是斋菜馆VIP空间，从宋代达观禅师诗句“鹤立松梢月，鱼行水底天”获得灵感，走廊两边角落对立造景，枯山水与艺术松雕派生意境，过道游鱼灯光投影，表现“一生二、二生三、三生万物”禅理，方寸之地幻出千岩万壑，让来客体悟“道法自然”的禅趣。

The third floor is the VIP space of the Zhai restaurant. Inspired by the Song Dynasty Zen master Daguan's poem "crane stands on the pine shoot and the fish walk on the bottom of the water", the two corners of the corridor are opposite to each other, the artistic conception is derived from the dry landscape and the artistic pine carving, and the lighting projection of the fish in the corridor shows the Zen principle of "one's life, two lives, three lives".